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For the benefit of musicians and scholars, this edition includes parts for each of the instruments, a conductor's score, and an essay by the noted composer and conductor Gunther Schuller. The trumpet solo which served as its centerpiece would probably have been given to Cootie Williams, but due to his departure just a few months earlier to work with Benny Goodman, that role fell to newcomer Ray Nance, who made the most of this golden opportunity. "Kokomo" gave The Beach Boys their first #1 hit in 22 years. (The Ellington band's version begins in C and rises to the key of E♭ after the second chorus.).

See if you can spot the fakes.

Here is one standard version.

Strayhorn's driving composition and uncluttered arrangement bear many Ellingtonian hallmarks, such as the use of mutes by the trumpets and trombones; the sound of the sax section; effective use of contrast (for example, between muted and open trumpet, and between the trumpet solo and the saxophone section; and, in the diminuendo ending, careful attention to dynamics. Take the "A" Train marked Strayhorn's breakthrough as a composer. Nance is also responsible for the trumpet solo on the first recording, which was so well suited for the song that it has often been duplicated note for note by others.

When Strayhorn played the song for Ellington after a show in Newark, a partnership that would last the rest of Strayhorn's life had begun. "Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. There are various versions of the lyrics to this piece, and singers have often taken liberties with the words. "Kokomo" gave The Beach Boys their first #1 hit in 22 years. "Marrakesh Express" - Crosby, Stills, & Nash, 1969... "My White Bicycle" - Nazareth, 1975 (classic rock).

In fact, he said that the music and lyrics for "Take the A Train," originally recorded on February 15, 1941 by Ellington for Victor Records, came more quickly than the subject of the song itself – the New York subway line to the Sugar Hill District of Harlem. The 2011 Artist of the Year at the Dove Awards isn't your typical gospel diva, and she thinks that's a good thing. He mimicked the orchestra's rendition of "Sophisticated Lady," then boldly played his own version. The tune is in AABA form, in the key of C, with each section being a lyric couplet.

In 1999, National Public Radio included this song in the "NPR 100", in which NPR's music editors sought to compile the one hundred most important American musical works of the 20th century. Billy Strayhorn arranged these parts for saxophonist Johnny Hodges ("Rab" or "Rabbit") and Jimmy Hamilton (clarinet) for Take the "A" Train, for the 1957 recording Ella Fitzgerald Sings the Duke Ellington Song Book, in which she was accompanied by the Duke Ellington Orchestra. However, Nance's solo is the definitive one and Ellington said that no trumpet player can play the song without borrowing from what Nance offered. 100 Songwriting, Recording And Career Tips Used By The Beatles, explains how the group crafted their choruses so effectively. Strayhorn said he was writing subway directions, as there was a new subway line and people were getting confused about the best way to get to Harlem. Ellington wrote directions for Strayhorn to get to his house by subway, directions that began, "Take the A Train".

100 Songwriting, Recording And Career Tips Used By The Beatles, explains how the group crafted their choruses so effectively. In 2010, the biggest-selling song in the UK was "Love the Way You Lie" by Eminem. He said all of his most meaningful work was written this way. 7-8 (1941-1942), Beyond Category: The Musical Genius of Duke Ellington [Cassette], Duke Ellington and His Great Vocalists [Sony/Legacy].

The Gotham Beat: Big Bands Swing New York! See if you can spot the fakes. More songs with methods of transportation in the title. It isn't hard to imagine that most jazz musicians have played this popular work at some point in their careers. They picked the title because it sounded tropical. Get on the A Train Soon you will be on Sugar Hill in Harlem Writer/s: BILLY STRAYHORN Billy Strayhorn achieved musical immortality through his composition "Take the 'A' Train." You must take the "A" train
To go Sugar Hill 'way up in Harlem
If you miss the "A" train
You'll find you've missed the quickest way to Harlem
Hurry, get on now it's coming
Listen to those rails a thrumming
All 'board get on the "A" train
Soon you will be on Sugar Hill in Harlem It is impossible to count Ellington's many recorded versions of "Take the 'A' Train;" the piece has essentially become a standard, with many rival bandleaders adding Ellington's theme song to their repertoires during the 1940s (including Glen Miller, Cab Calloway, Charlie Barnet, Harry James, Boyd Raeburn, and Stan Kenton, to name just a few). The 2011 Artist of the Year at the Dove Awards isn't your typical gospel diva, and she thinks that's a good thing. Ellington was so impressed, it eventually led to an invitation to Ellington's home in the wealthy Sugar Hill neighborhood.

Take the 'A' Train Lyrics: “Take the ‘A’ Train” is a Duke Ellington composition written by Billy Strayhorn.Artists who have re-interpreted and performed the standard include Ella Fitzgerald.

Based loosely on the chordal structure of "Exactly Like You", the song combines the propulsive swing of the 1940s-era Ellington band with the confident sophistication of Ellington and the black elite who inhabited Sugar Hill in Harlem. Introduced in early 1941 by Duke Ellington, the bandleader made it his theme song the following year, and so it remained for the rest of Ellington's life. "Take the A Train" was written by a kid who lived in Pittsburgh named Billy Strayhorn.

Strayhorn recalled that the song that became the signature opening piece for Duke Ellington and his Orchestra came to him with very little effort.

The head of Drake's estate shares his insights on the late folk singer's life and music. This arrangement was part of a medley for concert band.

Nance was also an accomplished violinist.

Frequently used to describe flunking a test, being dumped, being stood up, being beaten up or robbed, or losing one's money in the stock market, gambling, or through exploitative business schemes.
You'll find you missed the quickest way to Harlem. It has been widely recorded, by musicians ranging from Cab Calloway, Lawrence Welk, and Henry Mancini to Phyllis Hyman and Bobby McFerrin. Piano Duets with Billy Strayhorn, Private Collection, Vol.

The original sheet-music edition of Take the "A" Train was published by Tempo Music, the company Ellington established to control his musical copyrights.

The title refers to the then-new A subway service that runs through New York City, going at that time from eastern Brooklyn, on the Fulton Street Line opened in 1936, up into Harlem and northern Manhattan, using the Eighth Avenue Line in Manhattan opened in 1932. Take the "A" Train Sheet Music, 1952. Take the "A" Train Sheet Music, 1957. Take the "A" Train marked Strayhorn's breakthrough as a composer.

Ellington wrote directions for Strayhorn to get to his house by subway, directions that began, "Take the A Train". She made up the words at her home in Detroit, while the song played on the radio. Duke Ellington Collection, National Museum of American History Archives Center. If you miss the "A" train. In 1979, Madonna was a dancer on Patrick Hernandez' tour, where she boogied to his hit "Born To Be Alive.

Owing to Joya's remarkable poise and singing ability and her unique take on the song, Ellington hired her as a vocalist and adopted her lyrics. This arrangement was made for a small combo. Strayhorn was a great fan of Fletcher Henderson's arrangements. You must take the "A" train.

A monthly update on our latest interviews, stories and added songs, More songs with methods of transportation in the title.

3 [DVD], Very Best of Duke Ellington [Music Brokers], History of Jazz: From Basin Street to Bebop, Duke Ellington: Collection of the Best Big Bands, Vol. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP competitor BMI to "write a whole new book for the band," Mercer recalled. 5 [Phontastic], Great Times! The song was performed by Ellington and the band in the 1943 film Reveille with Beverly with vocalist Betty Roche.

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